REVIEWS

Gibson Mary Ford Les Paul Standard | Review

Published 2 years ago on November 24, 2024

By Nick Jennison

Gibson Mary Ford Les Paul Standard | Review

MSRP: (UK) £2,599 / (US) $2,999

To honour the legacy of Mary Ford, Gibson presents the Mary Ford Les Paul Standard—a stunning recreation of a unique 1958 custom model. Combining vintage aesthetics with versatile tonal options, this guitar is more than a tribute; it's a celebration of innovation and artistry. Nick Jennison tells us more about this truly special homage.

Although arguably best known for her long-running musical partnership with her then-husband Les Paul, Mary Ford was a highly accomplished guitarist in her own right, capable of keeping pace with the hottest player of the era (Les!) while also possessing one of the most celebrated voices of the time. Through their TV and radio shows, Ford and Paul brought the electric guitar into countless American households and legitimized the instrument in the eyes of an entire nation.

The Gibson Mary Ford Les Paul Standard is a recreation of a one-off instrument custom-ordered for Mary Ford in 1958—right around the time when Gibson was transitioning the instrument's specs from the Gold Tops of the early '50s to the Bursts of '58–'60. It sports a unique floral pickguard and matching armrest, alongside an unusual combination of a Gold Top finish with cherry back, neck, and sides—reminiscent of the finish found on the Bursts that followed shortly thereafter.

It also features a neck profile that's closer to a '57 than the famously meaty '58 Burst necks. It's slim but not '60s slim and comes with small, vintage-profile frets. Even without the unique aesthetic touches, this guitar represents a critical developmental period in Gibson's history—a fitting tribute to an artist as influential as Mary Ford.

"Yes, yes, it's very interesting," I hear you say, "but is it any good?" Yes, indeed, dear reader. Superb, in fact. Despite sporting the "hotter" Burstbucker 2 & 3 set, this guitar excels at producing beautiful, balanced clean tones. There's plenty of transient clarity and extended, airy highs, but with the poise and subtle compression of a good PAF. For jazz, the neck pickup is stunning, while the bridge pickup offers ample twang for country yet remains meaty enough for classic rock bark. Overdriven blues lines sting, and the tone controls provide a highly usable, vocal sweep that makes slide tones come alive. It even performs admirably with high-gain shred tones—though playing such styles on the signature guitar of such a dignified musician feels almost sacrilegious!

The Gibson Mary Ford Les Paul Standard is not only a fitting tribute to a hugely important Gibson player but also a snapshot of a pivotal moment in the company's history. It's a thorough, detailed recreation of a guitar that bridges the Gold Top and Burst eras, and it stands as a beautiful, toneful instrument in its own right.

For more information, please visit:

Gibson.com


YOU MAY LIKE

ADVERTISEMENT

LATEST

"Steve Vai Told Me: 'I Can't Get The Tone You Get Out Of Your Fingers'" - Adrian Vandenburg

DOD DRAG Analog Delay | Review

Joanne Shaw Taylor: “Stop Trying to Be Better Than Everyone Else”

Fishman Fluence Acoustic Pickups – Rock Icon, Spotlight & Nashville Legend | Review

Sunn O))) HalfLife Octave Distortion + Booster (EarthQuaker Devices) | Review

“When South American Fans Started Singing My Guitar Solos, Everything Changed”- Steve Stevens Reveals Why Most Guitarists Miss the Point

Casio Dimension Shifter | Review

"If You Haven't Been On Stage for 10,000 Hours... Shut the F* Up." Joe Bonamassa on Social Media, Blues & What Makes a Great Guitarist

JET JT-300 CAR P90 | Review

Venus Revolution | Review

Spira X-400 MBK | Review

PRS SE Ed Sheeran Hollowbody Baritone | Review

Taylor Next Generation 322ce | Review

Donner HUSH X Live Guitar | Review

"I Was Trying to Show Everything I Could Do... That Was All B******t." Samantha Fish on Blues Guitar, SGs & Writing Better Solos

"If I Change the Solo on 'Highway Star', I'd Probably Get Shot" Deep Purple’s Simon McBride on Recording Live, Guitar Gear & Finding His Own Voice

Donner Hush I EVO 2 | Review

“The show is like the magic sauce that f**s everything up.” Halestorm Break Down Their Live Show, Tone & Writing Process

"Play From The Soul" Philip Sayce on Creativity, Nature & Finding Inspiration Everywhere

“Don’t Hide Your Weirdness” Ron Thal on creativity, technique, and a lifetime of pushing guitar boundaries.

Sophie Lloyd on MGK, Social Media & Becoming a Modern Guitar Star

Eric Johnson on Tone, Emotion, and the Art of Staying Liquid

John 5 on his dream touring band, unreleased Marilyn Manson songs, and searching for the holy grail of Kiss Memorabilia | Interview

MOOER MHL100 | Review

Mooer F40i Li | Review

Top magnifiercross linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram