Godin Multiac Grand Concert Mahogany | Review

Godin Multiac Grand Concert Mahogany | Review

MSRP: (UK) £2699 / (US) $2999

For players who need nylon-string warmth without leaving behind their electric roots, Godin's Multiac Grand Concert Mahogany nails it... and more. Nick Jennison reviews this hybrid six-string that blends the feel of a classical guitar with high-end electronics—including a custom LR Baggs preamp system—for stage-ready, feedback-resistant performance. Comfortable, familiar neck dimensions and a gorgeous mahogany body round out this pro-level package.

While the world of nylon-string guitars may not be as jam-packed with legendary names as their steel-string or electric cousins, Godin's Multiac series has quietly become a benchmark for stage-ready nylon performance. The new Multiac Grand Concert Mahogany continues that tradition, blending classic looks with modern playability and gig-ready practicality in a way that's both subtle and smart.

Right out of the case, this guitar just feels special. The chambered body is slim and comfortable, sporting a solid cedar top and a beautifully glossy mahogany back. The look is understated, with just enough three-ply binding to hint at its high-end status without feeling flashy. Made in Canada, the fit and finish are everything you'd expect from a premium instrument.

The neck is where the Multiac really stands out from traditional nylons. Sure, it's wide and flat like a classical guitar, but it's noticeably slimmer and features a gentle asymmetrical carve that fits the hand nicely—whether you're playing fingerstyle or coming from an electric background. And for those used to electrics or steel-strings, side dot markers are there to help you navigate, so there's no feeling lost in unfamiliar territory. The Richlite fingerboard is a clever upgrade over ebony: it's slick, consistent, and won't throw a fit when the weather changes.

On the hardware front, Godin has kept the player firmly in mind. The bridge uses individual saddles for each string, which means intonation and note separation are genuinely excellent—especially noticeable when you plug in. The truss rod is a rare (and welcome) feature on a nylon guitar, letting you adjust neck relief easily without needing to see a tech. And if you've ever had to fight with strap locks on an acoustic or nylon, you'll be pleased to know this one's compatible with popular locking systems straight out of the box.

The electronics are, simply put, where this guitar earns its keep. Godin and LR Baggs have put together a system that blends a piezo pickup with a Lyric microphone, all controlled by a center-notched blend slider. Want natural, resonant body sound? Slide toward the mic. Need clarity and punch? Head for the piezo. EQ sliders and a phase switch are right there for extra control, but honestly, the default sound is already so balanced and natural you might not even need to touch them. And with its chambered body and clever design, feedback on stage is the least of your worries.

What's most impressive is how accessible the Multiac Grand Concert Mahogany feels. Even if you're not a classical player, the learning curve is gentle, and it's just plain fun to play. Whether you're fingerpicking, flatpicking, or somewhere in between, the guitar responds beautifully and always sounds inspiring through an amp or PA.

In short, the Godin Multiac Grand Concert Mahogany is the kind of nylon-string that welcomes all comers. It's built for the modern player who wants classic sound and looks, but needs the reliability and comfort of a high-end gigging instrument. Plug it in, and it just works—no fuss, no drama, just great tone and rock-solid performance. If you're curious about what a truly stage-ready nylon can do for your playing, this one deserves a serious look.

For more information, please visit:

jhs.co.uk/collections/godin-guitars