REVIEWS

Orange TremLord 30 112 Valve Combo

Published 7 years ago on January 9, 2020

By Nick Jennison

 

Orange TremLord 30 1x12" Valve Combo

GUITAR INTERACTIVE STAR RATING:⭐⭐⭐⭐1/2

MSRP (UK) £999 (US) $1299

 

PROS

Superb 50s combo tones. Great pedal platform.

Outstanding reverb and tremolo.

 

CONS

If you like the "Orange" crunch sound, look elsewhere in the range.

 

SPECS

Single-channel

30W/15W/2W/1W

Dimonsions: 18.11"x 22.44"x 11.22"

Weight: 53.1 lbs.

 

 

 

 

 

 

For more information, please visit:

orangeamps.com


Orange does the classic '60s American guitar amplifier British-style with the TremLord 30 30-watt tube combo amplifier. Complete with tube-driven tremolo and a 2-spring reverb tank, the TremLord 30 enables you to deliver some definitive classic rock tones everywhere from the stage to your bedroom. Nick Jennison tells us more.

 

Orange Amplifiers are a bastion of engineering simplicity. In a world of microprocessors, they're a V8 engine. Powerful, purposeful and pure of vision. But in recent years, Orange has begun embracing modernity, but in a very "Orange" way. We're not talking about 8-channel hybrid amps with digital effects. Rather, they've been leveraging their engineering knowhow and no-nonsense attitude to produce practical gigging tools for the modern guitarist. Take the Rocker 32, for example: it's an all-valve combo, but it runs in stereo!

 

The Tremlord 30 is a similarly contemporary offering, in that it's a classic voiced clean combo with a distinct "American" flavour. This is quite a departure because the "Orange clan tone" is very much its own separate entity. Think vocal, punchy mids, relaxed highs and tightly tucked lows. TheTremlord 30 is the polar opposite. It boasts the luxurious bass, midrange scoop and sparkling highs that we love about great Fender combos.

 

A huge part of the beautiful three-dimensional tone is the LaVoce speaker. Quite apart from the focus and midrange projection of the Vintage 30s that normally come loaded in Orange's combos and cabs, this speaker has a graceful and even delivery with just the right amount of sparkle on the top end to sound "right" without sounding "brash". Of course, you could always run the Tremlord into an external cab, but you'd be missing out on one of the best features of this amp - as we found out when we tried to run it into our iso booth!

 

Orange say the Tremlord is inspired by classic 50s combos, and as such it wouldn't be complete without tremolo and reverb. Orange have delivered in spades here. The reverb is rich and washy, with all the subtle distortion and modulations you get from a genuine reverb tank. In fact, winding the amp up to full saturation will even make the reverb act like an additional gain stage, just like in classic tweed amps.

 

As the name would suggest, the tremolo is the star of the show. It's a genuine tube bias tremolo, but it's a 12AX7 providing the wobble (rather than the power tubes, as you'd find in older models). Not only does this allow for all that glorious undulating tremolo to cascade into the reverb (as opposed to the other way around), but it also allows for probably the Tremlord's most unique feature - two foot-switchable tremolo speeds. Toggling between the two if great for adding interest and intensity to a track, and even give a similar effect to the speed control on a Leslie cabinet.

 

As you'd expect, the Tremlord is a superb platform for pedals, but if you wind up the volume it starts to bark and bite with a classic vocal character that's unmistakably "tweed", and the four wattage modes (30w, 15w, 2w or 1w) help keep the output level in check.

 

The Orange Tremlord 30 is a fantastic re-imagining of classic 50s combo amps, with a very "Orange" attitude. It's simple, tough, and it sounds killer.

 

 


YOU MAY LIKE

ADVERTISEMENT

LATEST

Venus Revolution | Review

Spira X-400 MBK | Review

PRS SE Ed Sheeran Hollowbody Baritone | Review

"If You Haven't Been On Stage for 10,000 Hours... Shut the F* Up." Joe Bonamassa on Social Media, Blues & What Makes a Great Guitarist

Joanne Shaw Taylor: “Stop Trying to Be Better Than Everyone Else”

Taylor Next Generation 322ce | Review

Donner HUSH X Live Guitar | Review

"I Was Trying to Show Everything I Could Do... That Was All B******t." Samantha Fish on Blues Guitar, SGs & Writing Better Solos

"If I Change the Solo on 'Highway Star', I'd Probably Get Shot" Deep Purple’s Simon McBride on Recording Live, Guitar Gear & Finding His Own Voice

Donner Hush I EVO 2 | Review

“The show is like the magic sauce that f**s everything up.” Halestorm Break Down Their Live Show, Tone & Writing Process

"Play From The Soul" Philip Sayce on Creativity, Nature & Finding Inspiration Everywhere

“Don’t Hide Your Weirdness” Ron Thal on creativity, technique, and a lifetime of pushing guitar boundaries.

Sophie Lloyd on MGK, Social Media & Becoming a Modern Guitar Star

Eric Johnson on Tone, Emotion, and the Art of Staying Liquid

John 5 on his dream touring band, unreleased Marilyn Manson songs, and searching for the holy grail of Kiss Memorabilia | Interview

MOOER MHL100 | Review

Mooer F40i Li | Review

Epiphone Futura RD Custom | Review

Aria Pro II PE-R100 | Review

Mooer GE100 Pro Li | Review

“You Can’t Overthink It” – Richie Faulkner on Playing Live & Finding Your Voice

Cort Space 4 Headless Bass | Review

HIWATT Pedalsmith 50 Head | Review

Danelectro Dan O Cool | Review

Top magnifiercross linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram