Seymour Duncan Silver Lake

Published 6 years ago on July 28, 2018

By Guitar Interactive Magazine

Grit adds saturation and a Lo-Fi filter to the Reverb sound for some very cool grungy sounds whilst Damp acts to soak up the tail of the reverb and dampen the high end, darkening the tone in a very cool and interesting way. Combining these controls can produce some truly unique reverbs not found in many other pedals.

Nick Jennison


Excellent Reverbs with some unique features for sound shaping

Very well built in the USA with quality components

Fully programmable with 128 presets

Firmware updates for future proofing


No analogue dry through signal path


Digital Reverb

2 x 1/4" Inputs and Outputs

128 Onboard Presets

9-18V DC power supply


Seymour Duncan Silver Lake

MSRP £429 (UK)  $499 (US)

Seymour Duncan Silver Lake

With a collection of eight beautifully crafted reverb algorithms, the Seymour Duncan Silver Lake is a fully programmable reverb workstation, combining high-quality reverb algorithms with unique dynamic control. Nick Jennison and Jonathan Graham tell us more.

Reverb ‘workstation’ pedals are so common these days that it seems like all the big companies, and even a fair few little ones, have produced their own variant on the ‘everything but the kitchen sink’ reverb pedal. To succeed in such an obviously crowded market one needs to differentiate their product from the next and with their Silver Lake Dynamic Reverb pedal, Seymour Duncan are aiming squarely at that goal post.

As with most pedals in this niche, you get a variety of different Reverb algorithms to choose from, selected from a dial on the top left of the pedal. All the usual suspects are here such as Room, Hall, Plate and Spring plus the more modern essentials such as Shimmer, Swell, Delay Verb and Gated Verbs to cover all bases. In total there are eight algorithms for sculpting your tones and each reverb can be dialled in with controls for Decay time, Pre-Delay, Mix and a handy Function dial that allows you to fine-tune the Modulation Depth and Rate and apply a Low and Hi-Pass filter to the wet signal.

The first unique aspects of the Silver Lake come from the remaining dials, controlling parameters called Grit and Damp. Grit adds saturation and a Lo-Fi filter to the Reverb sound for some very cool grungy sounds whilst Damp acts to soak up the tail of the reverb and dampen the high end, darkening the tone in a very cool and interesting way. Combining these controls can produce some truly unique reverbs not found in many other pedals.

The Silver Lake’s ‘piece de resistance’ however, is its Dynamic Expression section that allows you to control how the pedal reacts to your pick attack in real-time. The Mix, Modulation and Damp controls can all be mapped to this expression envelope filter with a separate control determining how the pedal reacts to your pick dynamics. In the Hard setting picking aggressively will produce more Reverb Mix or more modulation or damping in the wet signal, whilst the Soft setting will reverse this for greater effect whilst picking lightly. A threshold dial allows you to fine-tune the response and lights up to show you when the sound is being affected by your pick attack.

This unique feature allows you to produce dynamic reverbs that bloom and get louder when you reduce your pick attack but move into the background as you pick harder and faster for example. The creative possibilities are huge and require practice and experimentation to get the most from, but the potential for unique sounds is impressive.

With this many options available Seymour Duncan have made the Silver Lake fully programmable with up to 128 presets available and full Midi implementation – a superb addition for the growing number of guitar players looking for more sophistication and switching options from their pedal boards. A micro-USB port allows you to connect to a preset librarian or update the firmware for future additions and algorithm adjustments.

Ins and Outs are well catered for thanks to true stereo operation and 9-18v DC power capability. The sounds are all produced by a 24-bit/48kHz digital processor, although the manual and specs of the unit make no mention of analogue dry through, so if you’re very picky about your dry signal path you may want to research this a little more as it appears that the signal is sent through the A/D converters in its entirety – it still sounds great to our ears though!

The reverbs on offer are all fantastic, ranging from very natural and authentic room/space sounds to ambient soundscapes with modulated, never-ending repeats and everything in-between. The effects are easily on par with anything else at this price point on the market including the much-overused Shimmer effect that has become so de rigueur these days. The pedal is whisper quiet in operation and, compared to much of the competition, an absolute breeze to operate thanks to no submenus or secondary/hidden control assignments. The controls do what they say and only what they say! A small LED display shows you which preset you’re on and displays some basic info whilst editing some of the parameters. There is nothing here that is unnecessary.

Build quality is of the usual high Seymour Duncan standards and the pedal certainly feels like it would stand up to a rigorous gigging schedule thanks to solid components and high-quality jack and midi sockets throughout.

The Silver Lake is very easy to recommend – it’s cheaper than some of the competition, has a huge amount of power and tonal scope and some unique features that will very much appeal to certain types of players looking for a more interactive experience from their reverb pedal.

For more information, please visit:





Mud, Rain, and Rock 'n' Roll — Guitar Interactive at The Download Festival 2024 | Feature

Tom Morello on new single with his son "Soldier in the Army of Love," the last time he saw Chris Cornell & beating Simon Cowell in the charts | Interview

Marcus King on 'Mood Swings,' Collaborating with Rick Rubin and Exploring New Musical Directions | Interview

Gibson Theodore Standard | Review

Aria Pro II 714-GTR Fullerton | Review

Music Man 2024 Axis Super Sport | Review

Danelectro Fifty Niner Guitar - Gold Top | Review

Taylor Guitars 50th Anniversary GS mini Rosewood SB | Review

Music Man 2024 Axis | Review

Jackson Soloist SLA 3 | Review

PRS 2024 SE CE 24 Satin | Review

JET Guitars JT600 | Review

Third Man Hardware x Donner Triple Threat Pedal | Review

Boss Katana-Air EX Wireless Guitar Amp | Review

Cort Abstract Delta Masterpiece Series | Review

Sterling by Music Man St. Vincent Goldie | Review

Mooer Tender Octave X2 | Review

Gibson Falcon 20 1x12 Combo | Review

Godin Session T-Pro | Review

Fishman Fluence 6-String Mick Thomson Signature Pickups | Review

Glenn Hughes on Black Country Communion 'V' & Why Joe Bonamassa is "The Greatest Rock Blues Player Alive Today" | Interview

D'Addario XS Coated Electric Guitar Strings | Review

21 Bands Not to Miss at This Year's Download Festival | Feature

Nothing More's Mark Vollelunga on Embracing the "Raw" and "Real" with 'Carnal' | Interview

Eddie 9V Delivers an Electrifying and Soulful Performance at The Grace, London — May 13th 2024 | Live Review

Top magnifiercross linkedin facebook pinterest youtube rss twitter instagram facebook-blank rss-blank linkedin-blank pinterest youtube twitter instagram